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Downstage Center
Go in-depth with the leading artists and professionals working on stage today when you go Downstage Center. Downstage Center is the American Theatre Wing's acclaimed weekly theatrical interview program that spotlights the creative talents on Broadway, Off-Broadway, across the country and around the world, with in-depth conversations that simply can't be found anywhere else. Now in its sixth year, Downstage Center, produced in association with CUNY Graduate School of Journalism, has been featured by the Associated Press and Slate.com as the place to go for theatrical talk. New editions will be available every other Wednesday from this website, where you can listen online, download the programs or subscribe to the podcast.

Hunter Foster
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With:
Hunter Foster

Ordinary Days' Hunter Foster talks about performing a musical in such an intimate space (Roundabout Underground's black box) and why the unusually close proximity makes the audience into the fifth character in this new work. He also talks about his discovery of musicals in high school; his steady and successful acting gigs right after high school and why despite them he chose to enroll at the University of Michigan; how he came to New York not long after graduation and almost immediately got offers for a national tour of Cats and Grease on Broadway -- managing to take them both; how much he had to learn about discipline and professionalism while touring in Cats; how he kept himself challenged during more than three years (on and off) with Grease; his retrospective admiration for the musical Footloose -- where he received the famed "gypsy robe" because he was the company's ensemble veteran before turning 30; his complete surprise at the success of Urinetown, which he joined beginning with its Off-Broadway incarnation at the American Theatre of Actors, and at finding himself sharing a stage with John Cullum; how he managed to get cast in the play The Government Inspector at The Guthrie Theatre when he was not a member of the company and best known for musicals; and his own work as a writer of musicals and plays, including Summer of '42 and Bonnie and Clyde: A Folk Tale -- and whether he ever intends to write a role for himself.

Original air date - December 7, 2009
Running Time - 1:02:04



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